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I've long had a thing for Kylie Ireland due to her good looks, sexy curves, and her appearance of enjoying sex on camera. Now that she has become a gonzo director, the appeal has taken on a slightly different angle but I could watch her do almost anything and get a chubby. One of her last releases for Platinum X Pictures is Ass Wreckage #3, the sequel to Ass Wreckage #1 and Ass Wreckage #2, where a variety of gals did anal sex acts for the camera. If you've enjoyed some of Kylie's past works, you'll probably find a lot to like here too, so here's a look at the scenes by cast and action, noting no condoms were used. Tory Lane Scene Four Genesis Skye, the cutie on the front DVD cover, was up next in a bedroom scene with studly John Strong. There was once again no build up and the editing seemed to be done on the fly but she has proven to be a solid performer in the past and shared an affinity with John given the way she took to his meat rod. He throatfucked her and she impaled her mouth on his cock, licking all over his shaft and balls (even rimming him) before they boned like maniacs. The anal was of particular importance since she seemed to appreciate it though she wasn't as active with him in her backdoor as in the pussy. She was a good lay here if not at her best either, ending the lengthy bout of boning with a swallowed load. I just wish the cover wasn't so airbrushed (or that she didn't need it so much) but it was a good scene. Scene Five Carson, a bleach blonde with a nice set of curves and overdone make up (maybe Kylie ran out of make up for Kelly because of it), was up last with Steve Holmes and John Strong working both ends of the gal in the bed by the brick wall (in Kylie's downtown dungeon/set). Her oral was lacking and the energy she put into the vaginal screw was nothing special with the anal taking place moments afterwards. The men switched places and worked her over some more, eventually leading to them giving her a DP. The sex itself was extreme enough but she lacked the enthusiasm needed to pull this type of thing off, and I always got the impression that she was calculating how much extra each sex act was netting her. The overdone implants were horrific too but if you're looking for some MILF action, maybe she'll do it for you. It ended with a porn fans favorite bird, the swallow, but the mechanical vocals by her drove me to reach for the remote control more than a couple of times (I suffered through it since I was reviewing). At least she tried to instill something by rimming the men but that fell flat too and I thought that maybe the scene was a fluke in terms of how poor the performance was given how some reviewers elsewhere seem to think she's prime material. Extras The extras included a 22 minute long Behind the Scenes feature by Van Cooney and Fraulein Fist full of amusing anecdotes and hardcore sex, interspersed with interviews and bits with the production crew at work. If you like seeing such material as much as I do, it will be worthy of a few visits, adding value for providing some entertainment. There was a director's biography, a photogallery, a double sided DVD cover (advertising on the second side though) and trailers to such releases as On Your Knees Bitch, Ass Wreckage #2, Taste Her Ass, Open For Anal #2, and The Whore Next Door. Audio/Video Quality Ass Wreckage #3 was presented in the usual 1.33:1 ratio full frame color as shot by Kylie Ireland (camera by her significant other Eli Cross) for release by Platinum X Pictures/Ireland Entertainment. Having seen some fantastic looking porn from this combination (Kylie/Eli) in the past, I figured they'd be offering up another straightforward look at some hardcore sex as they have in past, non-fetish, titles. As it was, Eli did a standup job compared to their latest release for DVSX (in terms of picture quality) with limited grain & video noise thanks to the lighting and limited camera movement. The composition of the shots was such that the ladies were looking good and the action was clearly put forth, marking this as another stroke worthy title from PXP by them. The audio was in 2.0 Dolby Digital English, with reasonably average vocals and music that didn't get in the way after the credits rolled.
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